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But, of course, such charitable acts came at the cost of those deemed unworthy of altruism or even basic human rights-those same cared-for refugees were housed “where the occupying German force had brutally ejected Poles from their homes, stealing their property along with their livestock and personal possessions” (Lower 35). For example, young female recruits were sent to the East where many “cared for and educated ethnic German refugees who streamed from Romania and Ukraine into…Poland” (Lower 35). The “Soldatenlieder” Winterhilfswerk Booklet is an example of propaganda given as a token of gratitude after a donation, though these donations were directed only toward those who qualified according to Nazi ideology, and this was true for virtually all such altruistic exploits (not just those directly associated with the WHW). The Winterhilfswerk (WHW) was one of its charity initiatives “from its annual collection campaigns placed considerable of money and…consumer goods at the disposal of party-sponsored welfare distribution” (Unger 134). The second artefact was created by the Nationalsozialistische Volkswohlfahrt (NSV), a welfare organization whose stated goal was to provide aid to those in need under the Reich. objects which reflected a glorified, fictionalized image of the ideal German citizen and evoked this aforementioned national pride-were created. It is no surprise, then, that such memorabilia-i.e.

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Wade further posits that this sense of national identity requires “us to believe in a series of fictions” (80) which support some political agenda or ideology that places the nation and its people above all others. Nationalism is often reinforced through sporting events such as the Olympics because they “ask us to identify with…our national team” (Wade 81), which allows the average citizen to develop a sense of community and cultural identity. The Porcelain Figurine of Aryan Woman is a collector’s item which was produced by Porzellanfabrik Schaubach Kunst (Porcelain Factory Schaubach Kunst), perhaps with the intention of reflecting these two popular topics in order to gain mass appeal. It is likely that the production of such items was particularly lucrative, as they would have appealed to both the rising admiration of the Nazi Party (byname of National Socialist German Workers’ Party NSDAP) and the sense of nationalism that often accompanies sporting events such as the Olympics, two aspects of German society which would have been at the forefront of public consciousness at the time.

The Porcelain Figurine of Aryan Woman can be dated within the year 1936, during which the Winter Olympics took place in Berlin.

This German-language paper booklet was in print from 1933-1945, with the intent of acquiring continual donations for the NSV and distributing them to those in need. It falls under the Nazism and propaganda, as well as publications and ephemera genres. The second artefact is the “Soldatenlieder” Winterhilfswerk Booklet, (Winter Relief of the German People) which was published by the Nationalsozialistische Volkswohlfahrt (National Socialist People’s Welfare, henceforth NSV) in Germany. It is likely to have been created around 1936 in preparation for the Berlin Olympic Games as an example of the archetypal woman under the Reich. This figure falls under the Nazism and propaganda, as well as sports and recreation genres. The first artefact is titled Porcelain Figurine of Aryan Woman, which was manufactured by Porzellanfabrik Schaubach Kunst, a porcelain factory in Germany. His new novel Deutschland was published in 2013.Fascist Façades: Charity, Superiority, and Volksgemeinschaft Under the Reich

His film adaptation of The Agent, starring William Beck, Stephen Kennedy and Maureen Lipman, and directed by Lesley Manning premiered at the Dinard Film Festival and was released in the UK in 2009. The play had its German-language premiere in October 2008. His first play The Agent premiered at London's Old Red Lion Theatre in March 2007 and was transferred to the West End's Trafalgar Studios. In 2003 he published the acclaimed The Little Driver, which is used in Spain to educate children about traffic issues, followed by The Little Politician in 2005. His documentary Klaus Maria Brandauer: Speer in London is about the period leading up to the premiere. He translated the play Speer, which was performed and directed by Klaus Maria Brandauer at London's Almeida Theatre. His first novel, Rachel's Machine, was published in the UK and Italy.

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His first short film Summer was shown at film festivals and on TV worldwide and won him the best director award at the Birmingham Film Festival.

Martin Wagner is a writer, film-maker and publisher living in London.